A this time of year, indoor sports are somewhat more tempting than the outdoor variety – and if you've a competitive bent, you'll want to know how to win. Luck helps, but tactics are better as Matthew Dennison explains.
This year, as you dust down the sets of Monopoly, Cluedo and Scrabble — a little dog-eared at the corners, their cardboard boxes marked by tell-tale wine-glass rings – don’t for a second fall for the old fallacy that success is down to the capriciousness of fate, whether in the roll of the dice or the draw of the tiles from the Scrabble bag.
Luck evens out and success can be earned Country Life is here to offer a few clues on improving your skills. Nothing will prevent Grandpa’s groans; children may still prefer the Playstation; and an in-law is almost certain to question your version of the rules, but the sweetness of victory may just lay to rest the annual regret that you didn’t abandon the whole idea in favour of a boxset of Dad’s Army.
Travel, and a familiarity with almost anything foreign, are key to winning at Scrabble. Authorities have claimed that the highest number of points that can be scored on a first go is 128 with muzjiks, a word for Russian peasants. Retsina, the name for resin-flavoured Greek wine, has seven permissible anagrams (stainer, retinas, anestri, nastier, ratines, retains and antsier) and, at seven letters, offers a 50-point bonus, although the highest-scoring word in Scrabble history is caziques, referring to West Indian chiefs, which (when played across two triple-word scores) scored 392 points.
Despite its usefulness, the letter ‘S’ features on only four Scrabble counters: astute players are advised to use their S counters judiciously. The addition of the suffix ‘-ish’ to a number of words may well get you out of a temporary hole and, at moments of dire need, the answer could be to resort to words from which other players simply can’t profit, including ‘my’ and ‘that’. After all, it is Christmas.
Outrageously to many, there was a rule change to Scrabble in 2010 (the first in the game’s history) which permitted the use of proper nouns. Expect younger players to pepper the board with names of pop groups and rappers, and laugh in glee at the fact that such names often throw in extra Xs, Qs and Zs. The only fair solution is to ensure you stick with your original set, and deny all knowledge (or acceptance) of the new state of affairs.
On the surface, Monopoly involves a higher degree of luck than knowledge, but tactical players invariably win the day. The 2015 UK and Ireland Monopoly Championship winner, Natalie Fitzsimons, advises concentrating resources on a single property group and mortgaging other properties if necessary, in order to achieve an ideal three houses on both or all three squares in a group.
She also advocates going to jail on a regular basis, which can enable players to avoid landing on a number of dangerous squares – unless, of course, your household rules claim that you can’t earn rent from others while you’re behind bars. And buy lots of houses as soon as you can: players who buy up large quantities of houses potentially benefit from preventing other players from doing so – eventually, the stock of houses will run out.
More than other games, Monopoly is a game in which we reveal ourselves as creatures of habit. The square least often landed on is Park Lane, but British players remain attached to it. For this and similar reasons, many people are surprised to discover not only that the game is an American invention, but that, in its first incarnation, it was patented in 1903 by a left-wing feminist called Elizabeth Magie.
She called it The Landlord’s Game and wrote with some asperity: ‘It contains all the elements of success and failure in the real world, and the object is the same as the human race in general seems to have, i.e., the accumulation of wealth.’ The original board layout included a ‘poor house’ and a square out of bounds to players labelled ‘owner, Lord Blue Blood, London, England’. Another square bore the motto ‘Labor upon Mother Earth produces wages’.
For a long time, Miss Magie’s contribution to the invention of one of the world’s most popular games went unacknowledged. That’s because it wasn’t her version which became famous: a man named Charles Darrow happened to play the game one night in the 1930s and appropriated it for himself, renaming it Monopoly. It was Darrow who made it a success, and who subsequently sold it to Parker Brothers, who in turn licensed it to Waddingtons in Britain before they’d even put their new sets into production.
Darrow made millions in royalties; Miss Magie’s patent was bought by the company after they discovered her contribution, but it’s believed that she received less than $500 – probably less than she’d spent trying to assert her claims to its invention, according to a New York Times report.
Cluedo, unlike Monopoly, is a British invention, although it’s spawned a number of foreign variants since its introduction in 1949. It was the brainchild of Anthony Pratt, a Midlands pianist – and one-time accompanist of Kirsten Flagstad – who was inspired by themed murder-mystery evenings in the hotels in which he played the piano. A fan of the novels of Raymond Chandler and Agatha Christie, Pratt initially intended Cluedo as an enjoyable way of passing time in wartime air-raid shelters.
Like real-life detection, Cluedo involves its players in amassing information. Successful players suggest creating smokescreens: spend time in rooms that are already among the cards you yourself, and ask questions that include answers on cards you already have. You’ll narrow down the responses you’re likely to receive, and might lay a false trail of suspicion for object, places and people who you know are not involved.
Really serious players make notes, but this is clearly not in keeping with the spirit of Christmas games – or compatible with the perils of the seasonal drinks table.
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