Attractively no-nonsense, scattered with ruins both medieval and industrial, the Staffordshire Moorlands should be better known. Fiona Reynolds talks a walk through this extraordinary land.
There’s a corner of England I’ll swear hardly anyone knows.
Although it’s in a National Park, the Staffordshire Moorlands have a timeless, gritty feel and have kept their character when so many places have lost out to homogeneity and 21st-century blandness.
Bland this landscape is not. A high plateau into which rivers are deeply incised, with limestone edges jutting from grazed fields like shoulder blades from tight sweaters and ancient farmsteads with a mix of old stone and corrugated-iron roofscapes: you could not really call this place beautiful, yet it has a strength of character that snags at the heart.
We are walking in a great loop from Grindon and we start at 6am because it’s set to be hot. The tall Victorian spire of Grindon church provides our backdrop as we set off south towards Waterhouses.
I remember, as we walk, my visit nearly 40 years ago to Back o’th’ Brook Farm to see Clive Langford Mycock — a great 6ft 7in bear of a man, passionate about his corner of Staffordshire and its indigenous population.
When I knew him, he was a member of the Peak District National Park Board and critical of its attitude to farmers. I was desperately sad to hear he’d died, far too young.
We reach the valley bottom, threaded by the River Hamps, at Lee House, cross the old Manifold Valley Light Railway, now a cycleway, and climb steeply up the other side to the ridge. It takes us to Throwley Hall, a Georgian farmhouse with a spectacular ruin attached, the abandoned medieval Old Hall with its tracery windows silhouetted against the already-blue sky.
An impressive Charolais bull stands foursquare across our path surrounded by glossy cattle and, soon afterwards, we meet his owner, said to produce the best beef in Staffordshire. Oh, the joy of such encounters!
At Rushley, we cross the River Manifold and pull uphill to walk up the ridge, past the elegant Castern Hall and abandoned Bincliffe lead mines, their humps and bumps like ancient monuments in the landscape. Our path then turns precipitous, running almost vertically above the river with dense hanging woodlands below us, sadly ravaged by ash dieback. The larks sing lustily and it’s glorious to be out on such a morning.
Opposite Beeston Tor, we walk through freshly mown hayfields, heady with scent, into the pretty village of Wetton, starting to stir on this Sunday morning.
We climb out of the village (my flatland legs just beginning to complain) catching sight of Thor’s Cave — a dramatic, natural limestone cave set high above the river near Waterslacks — and over Wetton Hill.
Then we descend again, steeply, to another valley bottom near Ecton Bridge and follow a teasing, weaving path towards Warslow. Our route is punctuated by bright-green footpath signs, a brilliant initiative of the Peak and Northern Footpaths Society.
From Warslow, our way back to Grindon is along a well-marked bridlepath, which is assessed for rideability by my horse-loving companions as we walk.
I’m in favour of two legs myself, but I can see that, in this intriguing landscape, a long hack would be an unrivalled way to absorb the spirit of the place.
And what is that spirit? As is most of Staffordshire, this is an industrial landscape, mined for centuries and pierced by railways (all now gone, all now recreational routes, but with a poignant feel; we could make good use of those railways today).
The farming is earthy and traditional and there are signs of farmers collaborating for Nature.
Above all, I feel, it’s a working, no-nonsense landscape that is something of a counterpoint to the more curated and popular parts of the National Park — and I applaud that.
We don’t want all places to look and feel the same and we positively need them to speak for themselves as we search for new accommodations between people, Nature and the planet.
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Fiona Reynolds eats her words about regular walkers avoiding showers during the wettest months she can remember.