Our hugely popular series tells fascinating tales about extraordinary people keeping traditional skills alive across Britain, illustrated by the wonderful portrait photographs taken for Country Life. Our picture editor Lucy Ford makes her selection of her favourites of 2018.
The stained-glass maker: ‘It’s powerful, volatile… too overwhelming for domestic settings’
©Richard Cannon/Country Life
Thomas Denny makes windows that are not only pictures hidden in colourful patterns, but complex interweavings of naturalistic and biblical imagery, radiant and spiritual.
The neon sign maker: ‘Piccadilly Circus was our answer to Vegas – now it’s all pixellated screens’
©Richard Cannon/Country Life
‘Every time I come here, it blows my mind,’ admits Marcus Bracey as he approaches Gods Own Junkyard, his neon emporium in Walthamstow.
The putcher fisherman: Flying the flag for a dying way of life
©Richard Cannon/Country Life
Chris Cadogan, the only remaining fisherman to practice this medieval method on the Severn.
The sculptor: ‘Every day, I go into the studio in the morning and set about things. I don’t know any other way to live’
©Mark Williamson/Country Life
James Butler (MBE, RA, RWA, FRBS) is in his late 80s and still sculpting every day.
The glass-eye maker: ‘I make sure that the eye fits, but psychology comes into my work as well’
©Richard Cannon/Country Life
Jost Haas, the only remaining maker of glass eyes working in Britain today.
The ship’s figurehead carver: ‘It used to be a profession and every port would have had one, but now it’s a dying art’
©Richard Cannon/Country Life
In the expert hands of Andy Peters, pine is sculpted into a glorious array of decorative items, but the show-stopping figureheads that stand up to 15ft high are his bread-and-butter.
The glassblower: ‘When something goes wrong you can’t fix it – you just sling in into the bosh bucket and start again’
©Richard Cannon/Country Life
Ian Shearman’s team of glassblowers are still making glass using a technique that’s 2,000 years old.
The swill basket maker: ‘Even after 30 years, it’s still a challenge; every tree is different and each batch of baskets has its own journey’
©Richard Cannon/Country Life
You could travel many miles to find someone who relishes his working day as much as Owen Jones enjoys creating oak swill baskets.
The poppy maker: ‘I was very weak, very emotional and in a bad place when I started, but I’m back to my old self again now’
©Richard Cannon/Country Life
Wish Lloyd battled a traumatic childhood, the army, an athletics injury and homelessness to find his place at the Poppy Factory, making the poppies we wear every November.
The luthier: ‘You don’t know if you’ve been successful until you put the strings on. That’s the moment when it comes alive.’
©Richard Cannon/Country Life
Tom Sands talks about his life making guitars – and pays tribute to his mentor, a ‘cross between Gandalf, Yoda and Mr Miyagi from The Karate Kid.’
The Pigeon Fancier: ‘I set up a deckchair in the garden and wait for them to come back. That’s the most exciting part.’
This week’s Living National Treasure is Colin Hill, a pigeon fancier whose birds regularly race from the tip of Scotland
The Florist: ‘What I do is like good cooking – if you have beautiful ingredients, you can’t go wrong’
This week's Living National Treasure is royal florist Shane Connolly – and while he might be based in Britain, he's
The dry stone wall builder: ‘Every metre of wall contains a ton of stone. You really feel it after a hard week.’
This week's Living National Treasure is Anthony Gorman, a man who has spent his life building beautiful walls by hand
The gold stamper: ‘The younger generation is very appreciative of artisan work – they’re the ones driving the trend’
This week's Living National Treasure is John Timms, the man who leads the team that stamps gold lettering into thousands
