A century on from its inauguration, the Tomb of the Unknown Warrior still has the power to move us — and the tale it tells is one of anguish, not triumphalism. Clive Aslet looks at how this monument came about.
The British Museum's ‘Arctic: Culture and Climate’ exhibition prompts Clive Aslet to discover how the indigenous life and culture of the northern polar region have been shaped by Earth’s most extreme and dramatically changing climate.
Wood engraving commands laborious attention to detail, but the effects can be entrancing and varied. A new exhibition at the Ashmolean celebrates a British phenomenon that continues to fascinate.
The new garden folly at Wolverton Hall in Worcestershire — owned by Nicholas and Georgia Coleridge — is inspired by Tudor and Georgian design, and provides the perfect retreat for study, entertainment and contemplation. Clive Aslet reports; all photographs by Paul Highnam for the Country Life Picture Library.
Did you know there’s only one insect capable of pollinating tomato plants — and that the insect in question is the bumblebee? Clive Aslet finds out more.
The architecture of the Cotswolds is almost intrinsically linked to popular conceptions of the English country village. Clive Aslet considers the people and places that contributed to bringing that about.
Clive Aslet meets the chairman of the Georgian Group, and hears why the 18th century was best.
One family’s steadfast commitment to Nature means the privately run Elmley National Nature Reserve in Kent teems with wildlife, including the country’s largest lowland collection of breeding waders
Clive Aslet examines how seaside resorts used Art Deco to catch the eye, spurring on a movement of Modern designs for health and beauty.
We delve into the archives to enjoy the tale of the early-20th century rebuilding of Minterne Magna in Dorset.
The story of the family that created one of the National Trust’s best-known houses is revealed to Clive Aslet through its collection of art and furniture.
The retiring banker Jacob, 4th Baron Rothschild, on continuing his family’s tradition of artistic innovation.
From the Great Exhibition to the London Design Festival, Britain has a long tradition of celebrating creativity, says Clive Aslet.
‘I am always pleased when somebody stands in front of one of my buildings and asks what I’ve done.’ Hugh Petter tells Clive Aslet how he altered his own home.
‘Every element serves a purpose,’ says Sandra Coppin of the Modern property she updated for her own home, repurposing material along the way so that nothing went to waste.
‘I learnt that the best you can do is not too much,' Tom Croft tells Clive Aslet as he discusses how he adapted his own home for his family's use.
Higham Hall in Suffolk is the home of Quinlan Terry, the favourite architect of HRH The Prince of Wales and a leading contemporary exponent of Classicism. Clive Aslet reports; photographs by Paul Highnam.
Carefully chosen furniture, paint, joinery and architectural details will all help to add character to a new house, says Clive Aslet.
William Morris's London home was just as remarkable as his country houses, as Clive Aslet discovered during a visit to the new exhibition at Kelmscott House.
